"I Can't Decide" Music Video Vision Board

 

 

Familiar Places; French New Wave

"Familiar Places"

A French New Wave film on the idea of how much one place can change based on who you're with 

Still Shots; Familiar Places, French New Wave

familiarity-strangeness-memories-youthful love

Surf the French New Wave

The New Wave is a blanket term for a group of French filmmakers of the late 1950s and 1960s.

Although never a formally organized movement, the New Wave filmmakers were linked by their spirit of youthful iconoclasm; the desire to shoot more current social issues on location; and their intention of experimenting with the film form. "New Wave" is an example of European art cinema. Many also engaged in their work with the social and political upheavals of the era, making their radical experiments with editing, visual style and narrative part of a general break with the conservative paradigm.

Using portable equipment, the New Wave way of filmmaking presented a documentary style. The films exhibited direct sounds on film stock that required less light. Filming techniques included fragmented, discontinuous editing, and long takes. The combination of objective realism, subjective realism, and authorial commentary created a narrative ambiguity in the sense that questions that arise in a film are not answered in the end.

"Impossible Dream" Experimental Film

"Impossible Dream" Experimental Film

My first experimental film, inspired by childhood nostalgia and edited on Premiere Pro.

Experimental Films and Avant Garde

     The "Experimental" scene is full of peculiar folk who let their strangeness shine through in a series of mediums and products. Be it literature, music, film, or visual art, experimental art ix exactly what it sounds like. Experimental. It explores a series of untouched emotions, ideas and thoughts all compressed into a canvas or a fifteen second clip. Naturally, trying to make sense of all these complex things into something so small or short creates a huge chaotic mess that many people don't want to, or can't, make sense of.
     My experimental film will focus on that nostalgic feeling of fear that you always get when looking down a dark hall, or in a well lit, but completely empty room at night. I want to channel the childish, but still ever-present fear you get even as an adult over small suspicious things.